You may or may not know that our debut MG Press author, Scott Dominic Carpenter, has a follow up to This Jealous Earth: Stories publishing on May 22nd. Theory of Remainders is his debut novel, and today we’ve got a freshly released bit of visual candy for you to enjoy.

Sit back and take in this powerful book trailer, produced by the extremely talented crew at Red 14 Films.

And the best part? You can still pre-order the hardcover from Barnes and Noble at a reduced price. Check it out!

Matthew Fogarty’s story “The Brinkmans Abroad” appears in Midwestern Gothic Issue 9, out now.

How long have you been writing?
I’ve been writing all my life. For a long time, I thought I wanted to be a screenwriter until I realized the limitations of the medium and also that a bunch of people who don’t know what they’re doing get to mess around with your writing. Only in the last few years have I really been writing seriously and I just in the last year have started writing full time.

What’s your connection to the Midwest?
Born and raised. I grew up in Troy, a suburb of Detroit, and went to school at Michigan before moving away to the coasts. Not a day I don’t miss it.

How has the Midwest influenced your writing?
How hasn’t it?

Why do you believe there has never really been a regionalist push for Midwestern writing in the past like there has with the South or even the West Coast?
The same reason they say people from the Midwest don’t speak with accents.

How do you feel about social media to promote your writing, and do you use it?
I’m on Facebook and whatnot. I think it’s a great way to get the word out to a limited audience. I haven’t been able to get into the Twitter. When I’m fortunate enough to get something published, I like to promote the magazine more than myself, and I use Facebook, also, to thank everybody that’s helped out by reading my stuff and putting up with my bullshit along the way. At the same time, I’m friends with a lot of emerging writers on Facebook who are trying just as I am to figure out how to do this writing thing and get work published, and I hope that “promotion” and “gratitude” doesn’t translate as “bragging.”

Favorite book?
If I only get one book: The Sun Also Rises—I think I’ve figured out most of how Hemingway does what he does craft-wise, but there’s still about 10% of his work that’s just black magic to me. Beyond that: I’m a big Henry Miller fan; Holy the Firm by Annie Dillard changed my life, as has everything else she’s written; I love Daring Young Man on a Flying Trapeze, the collection of stories by William Saroyan; I don’t know if it’s fashionable now or not, but fuck it I love Jack Kerouac; I had an imaginary love affair with Anais Nin this past summer; it took six years, but I finished Joyce’s Ulysses a couple of years ago — that’s a darn good book; Michael Ondaatje’s The Collected Works of Billy the Kid and Coming Through Slaughter are fantastic; Malcolm Lowry’s Under the Volcano got me into drinking mezcal. There’s poetry I like, too, I suppose.

Favorite food?
Cherries.

If you could have coffee (or tea or a beer) with any literary figure, alive or dead, who would it be?
Dead: TS Eliot. Alive: Annie Dillard. Imaginary: Q (from Wonder Boys).

Where can we find more information about you?
I have a website-ish: http://www.matthewfogarty.com. Also on the facebook: https://www.facebook.com/mfogarty1.

The Midwest in Photos

Photo copyright David Thompson

“Anyone who doesn’t miss the past never had a mother.”
―Gregory Nunn

Lindy Obach’s piece “In Case I Croak” appears in Midwestern Gothic Issue 9, out now.

How long have you been writing?
I’ve been writing since I was a kid—lots of rhyming love poems and sad poems. I finally became a writer when I was in my second year of grad school, around 2004.

What’s your connection to the Midwest?
There isn’t much about me that isn’t connected to the Midwest. I was born and raised on a grain farm in southwestern North Dakota, along the edge of the badlands. My Ukrainian immigrant great-grandparents established the farm in 1908, and my folks still live there (and always will). After college, I left North Dakota for South Dakota, where I now introduce college kids to some of our greats like Willa Cather, Louise Erdrich, and Ted Kooser. The Midwest is my home; it’s one of my true loves. I’ll never leave the Midwest, except maybe to live on a beach in Puerto Rico.

How has the Midwest influenced your writing?
Completely and irrevocably. I can’t imagine that this big sky, this open prairie, those abandoned farmhouses, the Missouri River, sage, antelope, and cheap, canned beer won’t continue to inspire and strike me. I romanticize the hell out of the Midwest in my writing, but I don’t think I am naive. At least, I hope not.

Why do you believe there has never really been a regionalist push for Midwestern writing in the past like there has with the South or even the West Coast?
Because everyone else thinks we’re a bunch of ignorant, racist, homophobic, anti-women hicks with nothing to say. This is largely because whenever we make the news, it’s probably because of some ignorant, racist, homophobic, anti-women incident. People mistakenly believe that fly-over country has nothing to contribute, or that we couldn’t possibly understand how the world works. I also think literary magazines in places like Nebraska, Iowa, and Minnesota are hesitant to publish Midwest-themed literature because they don’t want to be labeled as hokey. It seems one can’t be edgy and write about the farm at the same time. This makes me sad.

How do you feel about social media to promote your writing, and do you use it?
I think it’s a fine tool to use. If I have a reading coming up, or am presenting at a conference, or have a poem published, or discover a great literary magazine (like Midwestern Gothic!) I’ll certainly post about it on Facebook. I probably should use social media to network more, but Words with Friends takes us so much of my time.

Favorite book?
I get to choose more than one, right? John Irving’s The World According to Garp. Annie Proulx’s collection, Close Range. Anita Diamant’s The Red Tent. Jeffrey Eugenides’ Middlesex. Alison Bechdel’s Fun Home. I better stop now. Oh, and the Harry Potter series.

Favorite food?
Pizza loaf. I bet I’ve piqued your interest!

If you could have coffee (or tea or a beer) with any literary figure, alive or dead, who would it be?
Willa Cather. Goldang, I love that woman.

Where can we find more information about you?
I don’t have a website, and I don’t blog anymore. Google me, I suppose?

Eric Carter, whose work appeared in Issue 6, has a story coming out in Rosebud #54, and was recently interviewed on the Missouri Review blog.

Hadley Moore story “Makeup,” which originally appeared in Issue 6, will be re-published by Redux this coming Fall.

Congrats Eric and Hadley!

Join us in welcoming some new members to the Midwestern Gothic team: Emily Paull and Kayla Silverstein!

Emily and Kayla are two of the University of Michigan’s best and brightest, and they’ll be interning with us this summer, helping us promote our mission and learning a bit about the inner workings of a literary journal along the way. We’re thrilled to have them on board.

Kayla Silverstein will be going on her fourth year of undergraduate studies at the University of Michigan in fall 2013 and is pursuing multiple degrees in English, Creative Writing, and French. Born in Miami but raised in Michigan, the Midwest is where she calls home. At UM, she works as a paid blogger for Arts at Michigan, reviewing performances around campus. She is also an intern at the University Musical Society in Ann Arbor and an active participant in the UM Women’s Glee Club.

Emily Paull is a student at the University of Michigan, pursuing a degree in English and French, as well as a Secondary Teacher certification. She is a native Michigander from the west side of the state who enjoys writing fiction and playing the cello.

The Midwest in Photos

Photo copyright Eric Renth

“Never go on trips with anyone you do not love.”
― Ernest Hemingway

Courtney Huse Wika’s poem “In the Beginning” appears in Midwestern Gothic Issue 9, out now.

How long have you been writing?
Not nearly long enough.

What’s your connection to the Midwest?
I am a daughter of South Dakota: born, raised, and educated. I was born in central South Dakota, grew up west of the river in the Black Hills, and earned my degrees east of the river in the big cities of Sioux Falls and Vermillion. I was lucky enough to return to the hills to teach writing. The Huses and Wikas have long-standing histories of being SoDakian farmers and teachers, and I always felt very strongly that connection to this land and that family history.

How has the Midwest influenced your writing?
When I was a kid, I honestly thought the world ended just beyond the hill near my grandparents’ house in Pierre, South Dakota. I would stand with the Missouri River at my back and peer into the distance and see nothing—just an unending expanse that could easily swallow me up. I learned quickly that this land demands respect, demands to be known. Eudora Welty once wrote, “Location is the ground conductor of all the currents of emotion and belief and moral conviction that charge out from the story in its course.” The history here—my own and beyond—is inescapable. My characters can’t help but inherit it for their own.

Why do you believe there has never really been a regionalist push for Midwestern writing in the past like there has with the South or even the West Coast?
Probably because Midwesterners would have to be the ones to push—to say, Look at what we’ve created and all that we can share with you—and we’re not big on being braggarts.

In all seriousness, I don’t know the answer to this. That Midwestern writing has yet to be wholly embraced like that is a great tragedy.

How do you feel about social media to promote your writing, and do you use it?
I admire people who are savvy with these kinds of things. My Facebook page is mostly full of complaints about SoDak weather, Saturday Night Live episode reviews, and cat pictures.

Favorite book?
Oh, no! This is impossible to answer; how about we compromise and I give you (very short) list? Haroun and the Sea of Stories, Rushdie; House on Mango Street, Cisneros; Of Bees and Mist, Setiawan; Oryx and Crake, Atwood; If the River Was Whiskey, Boyle.

Favorite food?
My grandmother’s strawberry jam and egg-on-toast.

If you could have coffee (or tea or a beer) with any literary figure, alive or dead, who would it be?
Joss Whedon, and it would be a beer, specifically a Shiner, preferably a Shiner Cheer.

Where can we find more information about you?
You can take one of my writing or literature courses at Black Hills State. Or, if the description above didn’t drive you away, you can friend me on Facebook.

John Abbott, who has work in Issues 5 and 7, has a new novel, The Last Refrain, out now by Sweatshoppe Publications. For more information on the book, including how you can pick up a copy, click here.

Andrew Ruzkowskik, who has a poem in Issue 9, has a new chapbook, A Shape & Sound, out now by ELJ Publications. For more information on the book, including how you can pick up a copy, click here.

Congrats, John and Andrew!

Andrew Ruzkowski’s poem “Become a Thing Remembered” appears in Midwestern Gothic Issue 9, out now.

How long have you been writing?
For about ten years or so. Prior to that I was floating in the abyss.

What’s your connection to the Midwest?
I was born in Chicago, spent most of my youth in Iowa, took a sojourn in Colorado, and now I’m back in the Windy City. Both of my parents have deep roots in Chicago, if you can’t tell from the Polish last name. The Midwest has always felt like the closest thing to home for me. Perhaps this is because some of my strongest memories are tied up in this region. Maybe it’s because I’m a cold weather person. Maybe it’s because I like to think of myself as a reincarnated Dorothy. Also, I fell in love with ecology, biology, natural science, and running around naked in the snow here in the Midwest. These are things that show up in my writing and dreams and dream-writing. I suppose the Midwest is where I began collecting my images.

How has the Midwest influenced your writing?
I think the Midwest can mean a lot of things to people. Boredom. Emptiness. Aggressively average people. Subdivisions. Corn Fields. The list goes on. I feel like I have experienced most of these things and all the associated effects. However, I don’t recall ever being bored as a kid. I was always into something and I believe this fascination with surroundings (global, local, and cosmic) serves as an organizing logic to much of my writing. I think a lot of my language is banked in the spaces and places of the Midwest. I suppose the empty/open space of my childhood manifests itself in my writing in the form white space and sprawling lines. My experience with interior and exterior isolation (broadly defined) is always hovering around my poems. I believe silence, which abounds in the Midwest, is one of the most generative tools a writer can possess or write from, this is the void out of which my poetry comes. Can we ever abandon our childhood obsessions?

Why do you believe there has never really been a regionalist push for Midwestern writing in the past like there has with the South or even the West Coast?
Is this true? If it is, I don’t want to offer a malformed and most likely wrong answer. However, I do know that Chicago has a fabulous literary scene and I have the pleasure of interacting with some amazing writers around these parts, and others from afar as well. Is the Iowa Writers Workshop still a thing?

How do you feel about social media to promote your writing, and do you use it?
The only form of social media I use is Facebook and I shamelessly promote myself through it. That is pretty much where my digital presence begins and ends, barring a few poems floating around on the interwebs. I’m not against social media; I just lack the energy to get into everything that is out there.

Favorite book?
The Brothers Karamazov by Dostoyevsky
The Happiness Experiment by Lisa Fishman
Almost any classical Chinese poetry
Leaves of Grass because I’m an American writing poetry, aren’t I?

Favorite food?
Slather it in Sriracha sauce, or anything else deliciously spicy and I’ll wear it like a meat dress.

If you could have coffee (or tea or a beer) with any literary figure, alive or dead, who would it be?
John Milton. I just listened to Paradise Lost and it struck me on so many levels. And it would have to be tea, wouldn’t it?

Where can we find more information about you?
You might find some interesting stuff on a public records search. Come to Chicago and look for me. Become my new best friend here: http://www.facebook.com/andrew.ruz.56