Writing the Midwest: On balancing research and imagination

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“Writing the Midwest” is a recurring series featuring writing advice from today’s most prolific authors. Whether it’s dealing with writer’s block, knowing when a piece is finished, or how and where to find inspiration, we’re delighted to present to you the very best guidance to help you and your writing. You can find links to the authors’ full interviews below.

On balancing research and imagination:

Kathleen Rooney: If a novel is too faithfully adherent to the facts of whatever really happened in its real life inspiration, then it probably won’t have the depth of character, the psychological realism, or the plot momentum to keep people reading. You need to give yourself the space to get imaginative and make stuff up, rather than merely novelizing actual events.

Rae Meadows: I find that I have to recreate a place in my imagination, even a real place that I have known, to have it work for me as a fictional setting. This was especially true for Salt Lake City in my first novel. It became an almost mythical place for me after I had moved away. For I Will Send Rain, although I did a lot of research about the Panhandle in the 1930s, I chose to visit the town I fictionalized only after finishing the novel. I think I have a fear of being hemmed in by the actual details of a place, not being able to separate the minutiae from telling details…. Probably the most difficult part of research for me is knowing when to stop, and then knowing what to leave out to make a period seem authentic without it feeling like a staged set.

Tracy Chevalier: It requires a huge amount of research to get the “feel” of the period right. But I love the research, as it gives me ideas as well as the time during which to develop the story and characters. It’s crucial though not to think that I am educating people about a certain people. Story and entertainment come first; the historical background is just that—background. Sometimes I’ll discover some juicy historical detail but can’t use it because it doesn’t add to the story I’m telling. It’s no good showing off all the research; I just have to absorb it so that the reader feels confident in me knowing what I’m talking about, even if I don’t spell it out. It’s a balancing act.

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